MATTHEW JOHNSON 

What People Say About Far from New York State

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Matthew Johnson offers a rich tapestry of stories drawn from the lives of historical figures, professional athletes, musicians, and more, to address divisions, struggles, triumphs, and realities. He writes, "the long cool is whittled down to the essentials of the essentials," carving out an image of America in all its smooth and sharp edges. His language moves from direct to musical, narrative to lyric, in a style that interrogates as it engages and invites.

 — Grant Clauser, author of Muddy Dragon on the Road to Heaven

 

With its brilliant homages to Nas and Red Foxx, Matthew Johnson's Far from New York State creates a true jazz story, a collage, or a jigsaw puzzle—it's full of play and worthy of being read…Johnson opens up a space and lets the poems tell their own story.

 — Rochelle Spencer, author of AfroSurrealism: The African Diaspora's Surrealist Fiction

 

Even from 35,000 feet, baseball diamonds look like baseball diamonds. In Johnson's poems, you can still see the diamonds, though they are sketched on the blacktop with chalk or manifest by construction cones and fire hydrants on the minds of neighborhood kids. In the same way the giants of Jazz and Blues emerge from the poetic landscape and lend us a couple of bars, enliven and vivify a world that refuses to go sterile, because it has deep roots. Matthew Johnson's poetry gives these roots rain and mixes the demotic and the mythic to create a landscape of verse where one can imagine Duke Ellington and Satchel Page tipping caps to each other before disappearing into the poetic mist of Johnson's rich language that roils beneath each line. When the myth and the mist have cleared you can still see the baseball diamonds, the kids still pretending to be Hideo Nomo and Sammy Sosa, you can faintly hear the blues, and smell the newly oiled leather.

 — Aaron Dylan Graham, author of Blood Stripes